William Faulkner - As I Lay Dying - section 23 lyrics

Darl He stoops among us above it, two of the eight hands. In his face the blood goes in waves. In between them his flesh is greenish looking, about that smooth, thick, pale green of cow's cud; his face suffocated, furious, his lip lifted upon his teeth. "Pick up!" he says. "Pick up, goddamn your thick-nosed soul!" He heaves, lifting one whole side so suddenly that we all spring into the lift to catch and balance it before he hurls it completely over. For an instant it resists, as though volitional, as though within it her pole-thin body clings furiously, even though dead, to a sort of modesty, as she would have tried to conceal a soiled garment that she could not prevent her body soiling. Then it breaks free, rising suddenly as though the emaciation of her "body had added buoyancy to the planks or as though, seeing that the garment was about to be torn from her, she rushes suddenly after it in a pa**ionate reversal that flouts its own desire and need. Jewel's face goes completely green and I can hear teeth in his breath. We carry it down the hall, our feet harsh and clumsy on the floor, moving with shuffling steps, and through the door. "Steady it a minute, now," pa says, letting go. He turns back to shut and lock the door, but Jewel will not wait. "Come on," he says in that suffocating voice. "Come on." We lower it carefully down the steps. We move, Balancing it as though it were something infinitely precious, our faces averted, breathing through our teeth to keep our nostrils closed. We go down the path, toward the slope. "We better wait," Cash says. "I tell you it aint balanced now. We'll need another hand on that hill." "Then turn loose," Jewel says. He will not stop. Cash begins to fall behind, hobbling to keep up, breathing harshly; then he is distanced and Jewel carries the entire front end alone, so that, tilting as the path begins to slant, it begins to rush away from me and slip down the air like a sled upon invisible snow, smoothly evacuating atmosphere in which the sense of it is still shaped. "Wait, Jewel," I say. But he will not wait. He is almost running now and Cash is left behind. It seems to me that the end which I now carry alone has no weight, as though it coasts like a rushing straw upon the furious tide of Jewel's despair. I am not even touching it when, turning, he lets it overshoot him, swinging, and stops it and sloughs it into the wagon bed in the same motion and looks back at me, his face suffused with fury and despair. "Goddamn you. Goddamn you."