Experimental hip-hop outfit UNKLE was one of the original artists releasing material through noted U.K. label Mo' Wax, which helped launch the instrumental mid-'90s downtempo breakbeat revival eventually termed trip-hop. Though hardly the label's highest profile group (at least until the long-delayed release of their debut LP in 1998), UNKLE numbered among its members label-head James Lavelle, who formed Mo' Wax while still in his teens as an antidote to the increasingly stale acid jazz/Northern soul scene. Stripping ... Show more...

Experimental hip-hop outfit UNKLE was one of the original artists releasing material through noted U.K. label Mo' Wax, which helped launch the instrumental mid-'90s downtempo breakbeat revival eventually termed trip-hop. Though hardly the label's highest profile group (at least until the long-delayed release of their debut LP in 1998), UNKLE numbered among its members label-head James Lavelle, who formed Mo' Wax while still in his teens as an antidote to the increasingly stale acid jazz/Northern soul scene. Stripping the music down to its barest of essentials -- ba**, percussion, minimal samples, and heavy effects -- the Mo' Wax sound (best exemplified by the second Mo' Wax label comp, Headz, as well as its sequel, the two-part Headz II) quickly gained respectability and a large audience. Although not as prolific as other Mo' Wax artists such as DJs Shadow and Krush, Lavelle's group nonetheless played a crucial role in cementing Mo' Wax's early sound though their Time Has Come double EP, the latter of which featured remixes of the title track by Plaid, Portishead, and U2 producer Howie B.br /br /The group comprised the trio of Lavelle, Tim Goldsworthy -- a mate of Lavelle's since childhood -- and producer Kudo, of seminal Japanese label Major Force (and a member of the on-again, off-again psychedelic beat crew Skylab). Previous to his entree into production, Lavelle along with Goldsworthy was deep into New York hip-hop and electro, the emerging late-'80s Sheffield bleep scene, the English acid jazz scene (which he covered as a columnist for Straight No Chaser magazine), and of course the acid house and techno explosions that were redefining the English counterculture at the time. The pair hooked up with third member Kudo through the growing rep of the latter's Love T.K.O. project, whose outbound interpretations of breakbeat and acid jazz drew Lavelle's ear. While Goldsworthy and Kudo remained more heavily involved in nuts 'n' bolts production (especially given the success of Mo' Wax, with the penning on an expansive partial ownership deal with A&M Records in 1996), Lavelle is heavily involved in the conceptual and organizational end, crafting beats and laying out vague sketches his partners then expand into full-blown tracks. Despite the scarcity of released material, UNKLE grew to wider acclaim during 1996 through remix projects for Jon Spencer Blues Explosion and Tortoise. After Goldsworthy and Kudo were effectively replaced by Mo' Wax bill-payer DJ Shadow, the all-star LP Psyence Fiction finally appeared in 1998. It was a disappointment considering the advance hype, and DJ Shadow distanced himself from the collective. Lavelle, amidst much work as a DJ, recruited singer/songwriter Richard File for the second UNKLE full-length, 2003's Never, Never, Land. ~ Sean Cooper, All Music Guide