Søren Kierkegaard - Problemata: Preliminary Expectoration lyrics

PROBLEMATA: PRELIMINARY EXPECTORATION An old proverb fetched from the outward and visible world says: "Only the man that works gets the bread." Strangely enough this proverb does not aptly apply in that world to which it expressly belongs. For the outward world is subjected to the law of imperfection, and again and again the experience is repeated that he too who does not work gets the bread, and that he who sleeps gets it more abundantly than the man who works. In the outward world everything is made payable to the bearer, this world is in bondage to the law of indifference, and to him who has the ring, the spirit of the ring is obedient, whether he be Noureddin or Aladdin, 17 and he who has the world's treasure, has it, however he got it. It is different in the world of spirit. Here an eternal divine order prevails, here it does not rain both upon the just and upon the unjust, here the sun does not shine both upon the good and upon the evil, here it holds good that only he who works gets the bread, only he who was in anguish finds repose, only he who descends into the underworld rescues the beloved, only he who draws the knife gets Isaac. He who will not work does not get the bread but remains deluded, as the gods deluded Orpheus with an airy figure in place of the loved one, deluded him because he was effeminate, not courageous, because he was a cithara-player, not a man. Here it is of no use to have Abraham for one's father, nor to have seventeen ancestors–he who will not work must take note of what is written about the maidens of Israel, 18 for he gives birth to wind, but he who is willing to work gives birth to his own father. There is a knowledge which would presumptuously introduce into the world of spirit the same law of indifference under which the external world sighs. It counts it enough to think the great–other work is not necessary. But therefore it doesn't get the bread, it perishes of hunger, while everything is transformed into gold. And what does it really know? There were many thousands of Greek contemporaries, and countless numbers in subsequent generations, who knew all the triumphs of Miltiades, but only one 19 was made sleepless by them. There were countless generations which knew by rote, word for word, the story of Abraham–how many were made sleepless by it? Now the story of Abraham has the remarkable property that it is always glorious, however poorly one may understand it; yet here again the proverb applies, that all depends upon whether one is willing to labor and be heavy laden. But they will not labor, and yet they would understand the story. They exalt Abraham–but how? They express the whole thing in perfectly general terms: "The great thing was that he loved God so much that he was willing to sacrifice to Him the best." That is very true, but "the best" is an indefinite expression. In the course of thought, as the tongue wags on, Isaac and "the best" are confidently identified, and he who meditates can very well smoke his pipe during the meditation, and the auditor can very well stretch out his legs in comfort. In case that rich young man whom Christ encountered on the road had sold all his goods and given to the poor, we should extol him, as we do all that is great, though without labor we would not understand him–and yet he would not have become an Abraham, in spite of the fact that he offered his best. What they leave out of Abraham's history is dread; 20 for to money I have no ethical obligation, but to the son the father has the highest and most sacred obligation. Dread, however, is a perilous thing for effeminate natures, hence they forget it, and in spite of that they want to talk about Abraham. So they talk–in the course of the oration they use indifferently the two terms, Isaac and "the best." All goes famously. However, if it chanced that among the auditors there was one who suffered from insomnia–then the most dreadful, the profoundest tragic and comic misunderstanding lies very close. He went home, he would do as Abraham did, for the son is indeed "the best." If the orator got to know of it, he perhaps went to him, he summoned all his clerical dignity, he shouted, "O abominable man, offscouring of society, what devil possessed thee to want to murder thy son?" And the parson, who had not been conscious of warmth or perspiration in preaching about Abraham, is astonished at himself, at the earnest wrath which he thundered down upon that poor man. He was delighted with himself, for he had never spoken with such verve and unction. He said to himself and to his wife, "I am an orator. What I lacked was the occasion. When I talked about Abraham on Sunday I did not feel moved in the least." In case the same orator had a little superabundance of reason which might be lost, I think he would have lost it if the sinner were to say calmly and with dignity, "That in fact is what you yourself preached on Sunday." How could the parson be able to get into his head such a consequence? And yet it was so, and the mistake was merely that he didn't know what he was saying. Would there were a poet who might resolve to prefer such situations, rather than the stuff and nonsense with which comedies and novels are filled! The comic and the tragic here touch one another at the absolute point of infinity. The parson's speech was perhaps in itself ludicrous enough, but it became infinitely ludicrous by its effect, and yet this consequence was quite natural. Or if the sinner, without raising any objection, were to be converted by the parson's severe lecture, if the zealous clergyman were to go joyfully home, rejoicing in the consciousness that he not only was effective in the pulpit, but above all by his irresistible power as a pastor of souls, who on Sunday roused the congregation to enthusiasm, and on Monday like a cherub with a flaming sword placed himself before the man who by his action wanted to put to shame the old proverb, that "things don't go on in the world as the parson preaches."* .............................................. *In the old days they said, "What a pity things don't go on in the world as the parson preaches"–perhaps the time is coming, especially with the help of philosophy, when they will say, "Fortunately things don't go on as the parson preaches; for after all there is some sense in life, but none at all in his preaching." .............................................. If on the other hand the sinner was not convinced, his situation is pretty tragic. Presumably he would be executed or sent to the lunatic asylum, in short, he would have become unhappy in relation to so-called reality–in another sense I can well think that Abraham made him happy, for he that labors does not perish. How is one to explain the contradichon illustrated by that orator? Is it because Abraham had a prescriptive right to be a great man, so that what he did is great, and when another does the same it is sin, a heinous sin? In that case I do not wish to participate in such thoughtless eulogy. If faith does not make it a holy act to be willing to murder one's son, then let the same condemnation be pronounced upon Abraham as upon every other man. If a man perhaps lacks courage to carry his thought through, and to say that Abraham was a murderer, then it is surely better to acquire this courage, rather than waste time upon undeserved eulogies. The ethical expression for what Abraham did is, that he would murder Isaac; the religious expression is, that he would sacrifice Isaac; but precisely in this contradiction consists the dread which can well make a man sleepless, and yet Abraham is not what he is without this dread. Or perhaps he did not do at all what is related, but something altogether different, which is accounted for by the circumstances of his times–then let us forget him, for it is not worth while to remember that past which cannot become a present. Or had perhaps that orator forgotten something which corresponds to the ethical forgetfulness of the fact that Isaac was the son? For when faith is eliminated by becoming null or nothing, then there only remains the crude fact that Abraham wanted to murder Isaac–which is easy enough for anyone to imitate who has not faith, the faith, that is to say, which makes it hard for him. For my part I do not lack the courage to think a thought whole. Hitherto there has been no thought I have been afraid of; if I should run across such a thought, I hope that I have at least the sincerity to say, "I am afraid of this thought, it stirs up something else in me, and therefore I will not think it. If in this I do wrong, the punishment will not fail to follow." If I had recognized that it was the verdict of truth that Abraham was a murderer, I do not know whether I would have been able to silence my pious veneration for him. However, if I had thought that, I presumably would have kept silent about it, for one should not initiate others into such thoughts. But Abraham is no dazzling illusion, he did not sleep into renown, it was not a whim of fate. Can one then speak plainly about Abraham without incurring the danger that an individual might in bewilderment go ahead and do likewise? If I do not dare to speak freely, I will be completely silent about Abraham, above all I will not disparage him in such a way that precisely thereby he becomes a pitfall for the weak. For if one makes faith everything, that is, makes it what it is, then, according to my way of thinking, one may speak of it without danger in our age, which hardly extravagates in the matter of faith, and it is only by faith one attains likeness to Abraham, not by murder. If one makes love a transitory mood, a voluptuous emotion in a man, then one only lays pitfalls for the weak when one would talk about the exploits of love. Transient emotions every man surely has, but if as a consequence of such emotions one would do the terrible thing which love has sanctified as an immortal exploit, then all is lost, including the exploit and the bewildered doer of it. So one surely can talk about Abraham, for the great can never do harm when it is apprehended in its greatness; it is like a two-edged sword which slays and saves. If it should fall to my lot to talk on the subject, I would begin by showing what a pious and God-fearing man Abraham was, worthy to be called God's elect. Only upon such a man is imposed such a test. But where is there such a man? Next I would describe how Abraham loved Isaac. To this end I would pray all good spirits to come to my aid, that my speech might be as glowing as paternal love is. I hope that I should be able to describe it in such a way that there would not be many a father in the realms and territories of the King who would dare to affirm that he loved his son in such a way. But if he does not love like Abraham, then every thought of offering Isaac would be not a trial but a base temptation [Anfechtung]. On this theme one could talk for several Sundays, one need be in no haste. The consequence would be that, if one spoke rightly, some few of the fathers would not require to hear more, but for the time being they would be joyful if they really succeeded in loving their sons as Abraham loved. If there was one who, after having heard about the greatness, but also about the dreadfulness of Abraham's deed, ventured to go forth upon that road, I would saddle my horse and ride with him. At every stopping place till we came to Mount Moriah I would explain to him that he still could turn back, could repent the misunderstanding that he was called to be tried in such a conflict, that he could confess his lack of courage, so that God Himself must take Isaac, if He would have him. It is my conviction that such a man is not repudiated but may become blessed like all the others. But in time he does not become blessed. Would they not, even in the great ages of faith, have pa**ed this judgment upon such a man? I knew a person who on one occasion could have saved my life if he 21 had been magnanimous. He said, "I see well enough what I could do, but I do not dare to. I am afraid that later I might lack strength and that I should regret it." He was not magnanimous, but who for this cause would not continue to love him? Having spoken thus and moved the audience so that at least they had sensed the dialectical conflict of faith and its gigantic pa**ion, I would not give rise to the error on the part of the audience that "he then has faith in such a high degree that it is enough for us to hold on to his skirts." For I would add, "I have no faith at all, I am by nature a shrewd pate, and every such person always has great difficulty in making the movements of faith–not that I attach, however, in and for itself, any value to this difficulty which through the overcoming of it brought the clever head further than the point which the simplest and most ordinary man reaches more easily." After all, in the poets love has its priests, and sometimes one hears a voice which knows how to defend it; but of faith one hears never a word. Who speaks in honor of this pa**ion? Philosophy goes further. Theology sits rouged at the window and courts its favor, offering to sell her charms to philosophy. It is supposed to be difficult to understand Hegel, but to understand Abraham is a trifle. To go beyond Hegel 22 is a miracle, but to get beyond Abraham is the easiest thing of all. I for my part have devoted a good deal of time to the understanding of the Hegelian philosophy, I believe also that I understand it tolerably well, but when in spite of the trouble I have taken there are certain pa**ages I cannot understand, I am foolhardy enough to think that he himself has not been quite clear. All this I do easily and naturally, my head does not suffer from it. But on the other hand when I have to think of Abraham, I am as though annihilated. I catch sight every moment of that enormous paradox which is the substance of Abraham's life, every moment I am repelled, and my thought in spite of all its pa**ion cannot get a hairs-breadth further. I strain every muscle to get a view of it–that very instant I am paralyzed. I am not unacquainted with what has been admired as great and noble in the world, my soul feels affinity with it, being convinced in all humility that it was in my cause the hero contended, and the instant I contemplate his deed I cry out to myself, jam tua res agitur. 23 I think myself into the hero, but into Abraham I cannot think myself; when I reach the height I fall down, for what I encounter there is the paradox. I do not however mean in any sense to say that faith is something lowly, but on the contrary that it is the highest thing, and that it is dishonest of philosophy to give something else instead of it and to make light of faith. Philosophy cannot and should not give faith, but it should understand itself and know what it has to offer and take nothing away, and least of all should fool people out of something as if it were nothing. I am not unacquainted with the perplexities and dangers of life, I do not fear them, and I encounter them buoyantly. I am not unacquainted with the dreadful, my memory is a faithful wife, and my imagination is (as I myself am not) a diligent little maiden who all day sits quietly at her work, and in the evening knows how to chat to me about it so prettily that I must look at it, though not always, I must say, is it landscapes, or flowers, or pastoral idyls she paints. I have seen the dreadful before my own eyes, I do not flee from it timorously, but I know very well that, although I advance to meet it, my courage is not the courage of faith, nor anything comparable to it. I am unable to make the movements of faith, I cannot shut my eyes and plunge confidently into the absurd, for me that is an impossibility … but I do not boast of it. I am convinced that God is love, 24 this thought has for me a primitive lyrical validity. When it is present to me, I am unspeakably blissful, when it is absent, I long for it more vehemently than does the lover for his object; but I do not believe, this courage I lack. For me the love of God is, both in a direct and in an inverse sense, incommensurable with the whole of reality. I am not cowardly enough to whimper and complain, but neither am I deceitful enough to deny that faith is something much higher. I can well endure living in my way, I am joyful and content, but my joy is not that of faith, and in comparison with that it is unhappy. I do not trouble God with my petty sorrows, the particular does not trouble me, I gaze only at my love, and I keep its virginal flame pure and clear. Faith is convinced that God is concerned about the least things. I am content in this life with being married to the left hand, faith is humble enough to demand the right hand–for that this is humility I do not deny and shall never deny. But really is everyone in my generation capable of making the movements of faith, I wonder? Unless I am very much mistaken, this generation is rather inclined to be proud of making what they do not even believe I am capable of making, viz. incomplete movements. It is repugnant to me to do as so often is done, namely, to speak inhumanly about a great deed, as though some thousands of years were an immense distance; I would rather speak humanly about it, as though it had occurred yesterday, letting only the greatness be the distance, which either exalts or condemns. So if (in the quality of a tragic hero, for I can get no higher) I had been summoned to undertake such a royal progress to Mount Moriah, I know well what I would have done. I would not have been cowardly enough to stay at home, neither would I have laid down or sauntered along the way, nor have forgotten the knife, so that there might be a little delay–I am pretty well convinced that I would have been there on the stroke of the clock and would have had everything in order, perhaps I would have arrived too early in order to get through with it sooner. But I also know what else I would have done. The very instant I mounted the horse I would have said to myself, "Now all is lost. God requires Isaac, I sacrifice him, and with him my joy–yet God is love and continues to be that for me; for in the temporal world God and I cannot talk together, we have no language in common." Perhaps one or another in our age will be foolish enough, or envious enough of the great, to want to make himself and me believe that if I really had done this, I would have done even a greater deed than Abraham; for my prodigious resignation was far more ideal and poetic than Abraham's narrow-mindedness. And yet this is the greatest falsehood, for my prodigious resignation was the surrogate for faith, nor could I do more than make the infinite movement, in order to find myself and again repose in myself. In that case I would not have loved Isaac as Abraham loved. That I was resolute in making the movement might prove my courage, humanly speaking; that I loved him with all my soul is the presumption apart from which the whole thing becomes a crime, but yet I did not love like Abraham, for in that case I would have held back even at the last minute, though not for this would I have arrived too late at Mount Moriah. Besides, by my behavior I would have spoiled the whole story; for if I had got Isaac back again, I would have been in embarra**ment. What Abraham found easiest, I would have found hard, namely to be joyful again with Isaac; for he who with all the infinity of his soul, propio motu et propiis auspiciis [by his own power and on his own responsibility], has performed the infinite movement [of resignation] and cannot do more, only retains Isaac with pain. But what did Abraham do? He arrived neither too soon nor too late. He mounted the a**, he rode slowly along the way. All that time he believed–he believed that God would not require Isaac of him, whereas he was willing nevertheless to sacrifice him if it was required. He believed by virtue of the absurd; for there could be no question of human calculation, and it was indeed the absurd that God who required it of him should the next instant recall the requirement. He climbed the mountain, even at the instant when the knife glittered he believed … that God would not require Isaac. He was indeed astonished at the outcome, but by a double-movement he had reached his first position, and therefore he received Isaac more gladly than the first time. Let us go further. We let Isaac be really sacrificed. Abraham believed. He did not believe that some day he would be blessed in the beyond, but that he would be happy here in the world. God could give him a new Isaac, could recall to life him who had been sacrificed. He believed by virtue of the absurd; for all human reckoning had long since ceased to function. That sorrow can derange a man's mind, that we see, and it is sad enough. That there is such a thing as strength of will which is able to haul up so exceedingly close to the wind that it saves a man's reason, even though he remains a little queer, 25 that too one sees. I have no intention of disparaging this; but to be able to lose one's reason, and therefore the whole of finiteness of which reason is the broker, and then by virtue of the absurd to gain precisely the same finiteness–that appalls my soul, but I do not for this cause say that it is something lowly, since on the contrary it is the only prodigy. Generally people are of the opinion that what faith produces is not a work of art, that it is coarse and common work, only for the more clumsy natures; but in fact this is far from the truth. The dialectic of faith is the finest and most remarkable of all; it possesses an elevation, of which indeed I can form a conception, but nothing more. I am able to make from the springboard the great leap whereby I pa** into infinity, my back is like that of a tight-rope dancer, having been twisted in my childhood, 26 hence I find this easy; with a one-two-three! I can walk about existence on my head; but the next thing I cannot do, for I cannot perform the miraculous, but can only be astonished by it. Yes, if Abraham the instant he swung his leg over the a**'s back had said to himself, "Now, since Isaac is lost, I might just as well sacrifice him here at home, rather than ride the long way to Moriah"–then I should have no need of Abraham, whereas now I bow seven times before his name and seventy times before his deed. For this indeed he did not do, as I can prove by the fact that he was glad at receiving Isaac, heartily glad, that he needed no preparation, no time to concentrate upon the finite and its joy. If this had not been the case with Abraham, then perhaps he might have loved God but not believed; for he who loves God without faith reflects upon himself, he who loves God believingly reflects upon God. Upon this pinnacle stands Abraham. The last stage he loses sight of is the infinite resignation. He really goes further, and reaches faith; for all these caricatures of faith, the miserable lukewarm indolence which thinks, "There surely is no instant need, it is not worth while sorrowing before the time," the pitiful hope which says, "One cannot know what is going to happen … it might possibly be after all"–these caricatures of faith are part and parcel of life's wretchedness, and the infinite resignation has already consigned them to infinite contempt. Abraham I cannot understand, 27 in a certain sense there is nothing I can learn from him but astonishment. If people fancy that by considering the outcome of this story they might let themselves be moved to believe, they deceive themselves and want to swindle God out of the first movement of faith, the infinite resignation. They would s** worldly wisdom out of the paradox. Perhaps one or another may succeed in that, for our age is not willing to stop with faith, with its miracle of turning water into wine, it goes further, it turns wine into water. Would it not be better to stop with faith, and is it not revolting that everybody wants to go further? When in our age (as indeed is proclaimed in various ways) they will not stop with love, where then are they going? To earthy wisdom, to petty calculation, to paltriness and wretchedness, to everything which can make man's divine origin doubtful. Would it not be better that they should stand still at faith, and that he who stands should take heed lest he fall? For the movements of faith must constantly be made by virtue of the absurd, yet in such a way, be it observed, that one does not lose the finite but gains it every inch. For my part I can well describe the movements of faith, but I cannot make them. When one would learn to make the motions of swimming one can let oneself be hung by a swimming-belt from the ceiling and go through the motions (describe them, so to speak, as we speak of describing a circle), but one is not swimming. In that way I can describe the movements of faith, but when I am thrown into the water, I swim, it is true (for I don't belong to the beach-waders), but I make other movements, I make the movements of infinity, whereas faith does the opposite: after having made the movements of infinity, it makes those of finiteness. Hail to him who can make those movements, he performs the marvellous, and I shall never grow tired of admiring him, whether he be Abraham or a slave in Abraham's house; whether he be a professor of philosophy or a servant-girl, I look only at the movements. But at them I do look, and do not let myself be fooled, either by myself or by any other man. The knights of the infinite resignation are easily recognized: their gait is gliding and a**ured. Those on the other hand who carry the j**el of faith are likely to be delusive, because their outward appearance bears a striking resemblance to that which both the infinite resignation and faith profoundly despise … to Philistinism. I candidly admit that in my practice I have not found any reliable example of the knight of faith, though I would not therefore deny that every second man may be such an example. I have been trying, however, for several years to get on the track of this, and all in vain. People commonly travel around the world to see rivers and mountains, new stars, birds of rare plumage, queerly deformed fishes, ridiculous breeds of men–they abandon themselves to the bestial stupor which gapes at existence, and they think they have seen something. This does not interest me. But if I knew where there was such a knight of faith, I would make a pilgrimage to him on foot, for this prodigy interests me absolutely. I would not let go of him for an instant, every moment I would watch to see how he managed to make the movements, I would regard myself as secured for life, and would divide my time between looking at him and practicing the exercises myself, and thus would spend all my time admiring him. As was said, I have not found any such person, but I can well think him. Here he is. Acquaintance made, I am introduced to him. The moment I set eyes on him I instantly push him from me, I myself leap backwards, I clasp my hands and say half aloud, "Good Lord, is this the man? Is it really he? Why, he looks like a tax-collector!" However, it is the man after all. I draw closer to him, watching his least movements to see whether there might not be visible a little heterogeneous fractional telegraphic message from the infinite, a glance, a look, a gesture, a note of sadness, a smile, which betrayed the infinite in its heterogeneity with the finite. No! I examine his figure from tip to toe to see if there might not be a cranny through which the infinite was peeping. No! He is solid through and through. His tread? It is vigorous, belongingentirely to finiteness; no smartly dressed townsman who walksout to Fresberg on a Sunday afternoon treads the ground more firmly, he belongs entirely to the world, no Philistine more so. One can discover nothing of that aloof and superior nature whereby one recognizes the knight of the infinite. He takes delight in everything, and whenever one sees him taking part in a particular pleasure, he does it with the persistence which is the mark of the earthly man whose soul is absorbed in such things. He tends to his work. So when one looks at him one might suppose that he was a clerk who had lost his soul in an intricate system of book-keeping, so precise is he. He takes a holiday on Sunday. He goes to church. No heavenly glance or any other token of the incommensurable betrays him; if one did not know him, it would be impossible to distinguish him from the rest of the congregation, for his healthy and vigorous hymn-singing proves at the most that he has a good chest. In the afternoon he walks to the forest. He takes delight in everything he sees, in the human swarm, in the new omnibuses, 25in the water of the Sound; when one meets him on the Beach Road one might suppose he was a shopkeeper taking his fling, that's just the way he disports himself, for he is not a poet, and I have sought in vain to detect in him the poetic incommensurability. Toward evening he walks home, his gait is as indefatigable as that of the postman. On his way he reflects that his wife has surely a special little warm dish prepared for him, e.g. a calf's head roasted, garnished with vegetables. If he were to meet a man like-minded, he could continue as far as East Gate to discourse with him about that dish, with a pa**ion befitting a hotel chef. As it happens, he hasn't four pence to his name, and yet he fully and firmly believes that his wife has that dainty dish for him. If she had it, it would then be an invidious sight for superior people and an inspiring one for the plain man, to see him eat; for his appetite is greater than Esau's. His wife hasn't it–strangely enough, it is quite the same to him. On the way he comes past a building site and runs across another man. They talk together for a moment. In the twinkling of an eye he erects a new building, he has at his disposition all the powers necessary for it. The stranger leaves him with the thought that he certainly was a capitalist, while my admired knight thinks, "Yes, if the money were needed, I dare say I could get it." He lounges at an open window and looks out on the square on which he lives; he is interested in everything that goes on, in a rat which slips under the curb, in the children's play, and this with the nonchalance of a girl of sixteen. And yet he is no genius, for in vain I have sought in him the incommensurability of genius. In the evening he smokes his pipe; to look at him one would swear that it was the grocer over the way vegetating in the twilight. He lives as carefree as a ne'er-do-well, and yet he buys up the acceptable time at the dearest price, for he does not do the least thing except by virtue of the absurd. And yet, and yet–actually I could become furious over it, for envy if for no other reason–this man has made and every instant is making the movements of infinity. With infinite resignation he has drained the cup of life's profound sadness, he knows the bliss of the infinite, he senses the pain of renouncing everything, the dearest things he possesses in the world, and yet finiteness tastes to him just as good as to one who never knew anything higher, for his continuance in the finite did not bear a trace of the cowed and fearful spirit produced by the process of training; and yet he has this sense of security in enjoying it, as though the finite life were the surest thing of all. And yet, and yet the whole earthly form he exhibits is a new creation by virtue of the absurd. He resigned everything infinitely, and then he grasped everything again by virtue of the absurd. He constantly makes the movements of infinity, but he does this with such correctness and a**urance that he constantly gets the finite out of it, and there is not a second when one has a notion of anything else. It is supposed to be the most difficult task for a dancer to leap into a definite posture in such a way that there is not a second when he is grasping after the posture, but by the leap itself he stands fixed in that posture. Perhaps no dancer can do it–that is what this knight does. Most people live dejectedly in worldly sorrow and joy; they are the ones who sit along the wall and do not join in the dance. The knights of infinity are dancers and possess elevation. They make the movements upward, and fall down again; and this too is no mean pastime, nor ungraceful to behold. But whenever they fall down they are not able at once to a**ume the posture, they vacillate an instant, and this vacillation shows that after all they are strangers in the world. This is more or less strikingly evident in proportion to the art they possess, but even the most artistic knights cannot altogether conceal this vacillation. One need not look at them when they are up in the air, but only the instant they touch or have touched the ground–then one recognizes them. But to be able to fall down in such a way that the same second it looks as if one were standing and walking, to transform the leap of life into a walk, absolutely to express the sublime in the pedestrian–that only the knight of faith can do–and this is the one and only prodigy. But since the prodigy is so likely to be delusive, I will describe the movements in a definite instance which will serve to illustrate their relation to reality, for upon this everything turns. A young swain falls in love with a princess, 29 and the whole content of his life consists in this love, and yet the situation is such that it is impossible for it to be realized, impossible for it to be translated from ideality into reality.* ................................... *Of course any other instance whatsoever in which the individual finds that for him the whole reality of actual existence is concentrated, may, when it is seen to be unrealizable, be an occasion for the movement of resignation. However, I have chosen a love experience to make the movement visible, because this interest is doubtless easier to understand, and so relieves me from the necessity of making preliminary observations which in a deeper sense could be of interest only to a few. ................................... The slaves of paltriness, the frogs in life's swamp, will naturally cry out, "Such a love is foolishness. The rich brewer's widow is a match fully as good and respectable." Let them croak in the swamp undisturbed. It is not so with the knight of infinite resignation, he does not give up his love, not for all the glory of the world. He is no fool. First he makes sure that this really is the content of his life, and his soul is too healthy and too proud to squander the least thing upon an inebriation. He is not cowardly, he is not afraid of letting love creep into his most secret, his most hidden thoughts, to let it twine in innumerable coils about every ligament of his consciousness–if the love becomes an unhappy love, he will never be able to tear himself loose from it. He feels a blissful rapture in letting love tingle through every nerve, and yet his soul is as solemn as that of the man who has drained the poisoned goblet and feels how the juice permeates every drop of blood–for this instant is life and d**h. 30 So when he has thus s**ed into himself the whole of love and absorbed himself in it, he does not lack courage to make trial of everything and to venture everything. He surveys the situation of his life, he convokes the swift thoughts, which like tame doves obey his every bidding, he waves his wand over them, and they dart off in all directions. But when they all return, all as messengers of sorrow, and declare to him that it is an impossibility, then he becomes quiet, he dismisses them, he remains alone, and then he performs the movements. If what I am saying is to have any significance, it is requisite that the movement come about normally.* .................................... *To this end pa**ion is necessary. Every movement of infinity comes about by pa**ion, and no reflection can bring a movement about. This is the continual leap in existence which explains the movement, whereas mediation is a chimera which according to Hegel is supposed to explain everything, and at the same time this is the only thing he has never tried to explain. Even to make the well-known Socratic distinction between what one understands and what one does not understand, pa**ion is required, and of course even more to make the characteristic Socratic movement, the movement, namely, of ignorance. What our age lacks, however, is not reflection but pa**ion. Hence in a sense our age is too tenacious of life to die, for dying is one of the most remarkable leaps, and a little verse of a poet has always attracted me much, because, after having expressed prettily and simply in five or six preceding lines his wish for good things in life, he concludes thus: 31 ..................................... Ein seliger Sprung in die Ewigkeit. So for the first thing, the knight will have power to concentrate the whole content of life and the whole significance of reality in one single wish. If a man lacks this concentration, this intensity, if his soul from the beginning is dispersed in the multifarious, he never comes to the point of making the movement, he will deal shrewdly in life like the capitalists who invest their money in all sorts of securities, so as to gain on the one what they lose on the other–in short, he is not a knight. In the next place the knight will have the power to concentrate the whole result of the operations of thought in one act of consciousness. If he lacks this intensity, if his soul from the beginning is dispersed in the multifarious, he will never get time to make the movements, he will be constantly running errands in life, never enter into eternity, for even at the instant when he is closest to it he will suddenly discover that he has forgotten something for which he must go back. He will think that to enter eternity is possible the next instant, and that also is perfectly true, but by such considerations one never reaches the point of making the movements, but by their aid one sinks deeper and deeper into the mire. So the knight makes the movement–but what movement? Will he forget the whole thing? (For in this too there is indeed a kind of concentration.) No! For the knight does not contradict himself, and it is a contradiction to forget the whole content of one's life and yet remain the same man. To become another man he feels no inclination, nor does he by any means regard this as greatness. Only the lower natures forget themselves and become something new. Thus the bu*terfly has entirely forgotten that it was a caterpillar, perhaps it may in turn so entirely forget it was a bu*terfly that it becomes a fish. The deeper natures never forget themselves and never become anything else than what they were. So the knight remembers everything, but precisely this remembrance is pain, and yet by the infinite resignation he is reconciled with existence. Love for that princess became for him the expression for an eternal love, a**umed a religious character, was transfigured into a love for the Eternal Being, which did to be sure deny him the fulfilment of his love, yet reconciled him again by the eternal consciousness of its validity in the form of eternity, which no reality can take from him. Fools and young men prate about everything being possible for a man. That, however, is a great error. Spiritually speaking, everything is possible, but in the world of the finite there is much which is not possible. This impossible, however, the knight makes possible by expressing it spiritually, but he expresses it spiritually by waiving his claim to it. The wish which would carry him out into reality, but was wrecked upon the impossibility, is now bent inward, but it is not therefore lost, neither is it forgotten. At one moment it is the obscure emotion of the wish within him which awakens recollections, at another moment he awakens them himself; for he is too proud to be willing that what was the whole content of his life should be the thing of a fleeting moment. He keeps this love young, and along with him it increases in years and in beauty. On the other hand, he has no need of the intervention of the finite for the further growth of his love. From the instant he made the movement the princess is lost to him. He has no need of those erotic tinglings in the nerves at the sight of the beloved etc., nor does he need to be constantly taking leave of her in a finite sense, because he recollects her in an eternal sense, 32 and he knows very well that the lovers who are so bent upon seeing "her" yet once again, to say farefell for the last time, are right in being bent upon it, are right in thinking that it is the last time, for they forget one another the soonest. He has comprehended the deep secret that also in loving another person one must be sufficicut unto oneself. He no longer takes a finite interest in what the princess is doing, and precisely this is proof that he has made the movement infinitely. Here one may have an opportunity to see whether the movement on the part of a particular person is true or fictitious. There was one who also believed that he had made the movement; but lo, time pa**ed, the princess did something else, she married 33–a prince, let us say–then his soul lost the elasticity of resignation. Thereby he knew that he had not made the movement rightly; for he who has made the act of resignation infinitely is sufficient unto himself. The knight does not annul his resignation, he preserves his love just as young as it was in its first moment, he never lets it go from him, precisely because he makes the movements infinitely. What the princess does, cannot disturb him, it is only the lower natures which find in other people the law for their actions, which find the premises for their actions outside themselves. If on the other hand the princess is like-minded, the beautiful consequence will be apparent. She will introduce herself into that order of knighthood into which one is not received by balloting, but of which everyone is a member who has courage to introduce himself, that order of knighthood which proves its immortality by the fact that it makes no distinction between man and woman. The two will preserve their love young and sound, she also will have triumphed over her pains, even though she does not, as it is said in the ballad, "lie every night beside her lord." These two will to all eternity remain in agreement with one another, with a well-timed harmonia praestabilita, 34 so that if ever the moment were to come, the moment which does not, however, concern them finitely (for then they would be growing older), if ever the moment were to come which offered to give love its expression in time, then they will be capable of beginning precisely at the point where they would have begun if originally they had been united. He who understands this, be he man or woman, can never be deceived, for it is only the lower natures which imagine they were deceived. No girl who is not so proud really knows how to love; but if she is so proud, then the cunning and shrewdness of all the world cannot deceive her. In the infinite resignation there is peace and rest; every man who wills it, who has not abased himself by scorning himself (which is still more dreadful than being proud), can train himself to make this movement which in its pain reconciles one with existence. Infinite resignation is that shirt we read about in the old fable. 35 The thread is spun under tears, the cloth bleached with tears, the shirt sewn with tears; but then too it is a better protection than iron and steel. The imperfection in the fable is that a third party can manufacture this shirt. The secret in life is that everyone must sew it for himself, and the astonishing thing is that a man can sew it fully as well as a woman. In the infinite resignation there is peace and rest and comfort in sorrow–that is, if the movement is made normally. It would not be difficult for me, however, to write a whole book, were I to examine the various misunderstandings, the preposterous attitudes, the deceptive movements, which I have encountered in my brief practice. People believe very little in spirit, and yet making this movement depends upon spirit, it depends upon whether this is or is not a one-sided result of a dira necessitas, and if this is present, the more dubious it always is whether the movement is normal. If one means by this that the cold, unfruitful necessity must necessarily be present, one thereby affirms that no one can experience d**h before he actually dies, and that appears to me a cra** materialism. However, in our time people concern themselves rather little about making pure movements. In case one who was about to learn to dance were to say, "For centuries now one generation after another has been learning positions, it is high time I drew some advantage out of this and began straightway with the French dances"–then people would laugh at him; but in the world of spirit they find this exceedingly plausible. What is education? I should suppose that education was the curriculum one had to run through in order to catch up with oneself, and he who will not pa** through this curriculum is helped very little by the fact that he was born in the most enlightened age. The infinite resignation is the last stage prior to faith, so that one who has not made this movement has not faith; for only in the infinite resignation do I become clear to myself with respect to my eternal validity, and only then can there be any question of grasping existence by virtue of faith. Now we will let the knight of faith appear in the role just described. He makes exactly the same movements as the other knight, infinitely renounces claim to the love which is the content of his life, he is reconciled in pain; but then occurs the prodigy, he makes still another movement more wonderful than all, for he says, "I believe nevertheless that I shall get her, in virtue, that is, of the absurd, in virtue of the fact that with God all things are possible." 36 The absurd is not one of the factors which can be discriminated within the proper compa** of the understanding: it is not identical with the improbable, the unexpected, the unforeseen. At the moment when the knight made the act of resignation 37 he was convinced, humanly speaking, of the impossibility. This was the result reached by the understanding, and he had sufficient energy to think it. On the other hand, in an infinite sense it was possible, namely, by renouncing it; but this sort of possessing is at the same time a relinquishing, and yet there is no absurdity in this for the understanding, for the understanding continued to be in the right in affirming that in the world of the finite where it holds sway this was and remained an impossibility. This is quite as clear to the knight of faith, so the only thing that can save him is the absurd, and this he grasps by faith. So he recognizes the impossibility, and that very instant he believes the absurd; for, if without recognizing the impossibility with all the pa**ion of his soul and with all his heart, he should wish to imagine that he has faith, he deceives himself, and his testimony has no bearing, since he has not even reached the infinite resignation. Faith therefore is not an aesthetic emotion but something far higher, precisely because it has resignation as its presupposition; it is not an immediate instinct of the heart, but is the paradox of life and existence. So when in spite of all difficulties a young girl still remains convinced that her wish will surely be fulfilled, this conviction is not the a**urance of faith, even if she was brought up by Christian parents, and for a whole year perhaps has been catechized by the parson. She is convinced in all her childish naïveté and innocence, this conviction also ennobles her nature and imparts to her a preternatural greatness, so that like a thaumaturge she is able to conjure the finite powers of existence and make the very stones weep, while on the other hand in her flurry she may just as well run to Herod as to Pilate and move the whole world by her tears. Her convichon is very lovable, and one can learn much from her, but one thing is not to be learned from her, one does not learn the movements, for her conviction does not dare in the pain of resignation to face the impossibility. So I can perceive that it requires strength and energy and freedom of spirit to make the infinite movement of resignation, I can also perceive that it is feasible. But the next thing astonishes me, it makes my head swim, for after having made the movement of resignation, then by virtue of the absurd to get everything, to get the wish whole and uncurtailed–that is beyond human power, it is a prodigy. But this I can perceive, that the young girl's conviction is mere levity in comparison with the firmness faith displays notwithstanding it has perceived the impossibility. Whenever I essay to make this movement, I turn giddy, the very instant I am admiring it absolutely a prodigious dread grips my soul–for what is it to tempt God? And yet this movement is the movement of faith and remains such, even though philosophy, in order to confuse the concepts, would make us believe that it has faith, and even though theology would sell out faith at a bargain price. For the act of resignation faith is not required, for what I gain by resignation is my eternal consciousness, and this is a purely philosophical movement which I dare say I am able to make if it is required, and which I can train myself to make, for whenever any finiteness would get the mastery over me, I starve myself until I can make the movement, for my eternal consciousness is my love to God, and for me this is higher than everything. For the act of resignation faith is not required, but it is needed when it is the case of acquiring the very least thing more than my eternal consciousness, for this is the paradoxical. The movements are frequently confounded, for it is said that one needs faith to renounce the claim to everything, yea, a stranger thing than this may be heard, when a man laments the loss of his faith, and when one looks at the scale to see where he is, one sees, strangely enough, that he has only reached the point where he should make the infinite movement of resignation. In resignation I make renunciation of everything, this movement I make by myself, and if I do not make it, it is because I am cowardly and effeminate and without enthusiasm and do not feel the significance of the lofty dignity which is a**igned to every man, that of being his own censor, which is a far prouder title than that of Censor General to the whole Roman Republic. This movement I make by myself, and what I gain is myself in my eternal consciousness, in blissful agreement with my love for the Eternal Being. By faith I make renunciation of nothing, on the contrary, by faith I acquire everything, precisely in the sense in which it is said that he who has faith like a grain of mustard can remove mountains. A purely human courage is required to renounce the whole of the temporal to gain the eternal; but this I gain, and to all eternity I cannot renounce it–that is a self-contradiction. But a paradoxical and humble courage is required to grasp the whole of the temporal by virtue of the absurd, and this is the courage of faith. By faith Abraham did not renounce his claim upon Isaac, but by faith he got Isaac. By virtue of resignation that rich young man should have given away everything, but then when he had done that, the knight of faith should have said to him, "By virtue of the absurd thou shalt get every penny back again. Canst thou believe that?" And this speech ought by no means to have been indifferent to the aforesaid rich young man, for in case he gave away his goods because he was tired of them, his resignation was not much to boast of. It is about the temporal, the finite, everything turns in this case. I am able by my own strength to renounce everything, and then to find peace and repose in pain. I can stand everything–even though that horrible demon, more dreadful than d**h, the king of terrors, even though madness were to hold up before my eyes the motley of the fool, and I understood by its look that it was I who must put it on, I still am able to save my soul, if only it is more to me than my earthly happiness that my love to God should triumph in me. A man may still be able at the last instant to concentrate his whole soul in a single glance toward that heaven from which cometh every good gift, and his glance will be intelligible to himself and also to Him whom it seeks as a sign that he nevertheless remained true to his love. Then he will calmly put on the motley garb. He whose soul has not this romantic enthusiasm has sold his soul, whether he got a kingdom for it or a paltry piece of silver. But by my own strength I am not able to get the least of the things which belong to finiteness, for I am constantly using my strength to renounce everything. By my own strength I am able to give up the princess, and I shall not become a grumbler, but shall find joy and repose in my pain; but by my own strength I am not able to get her again, for I am employing all my strength to be resigned. But by faith, says that marvellous knight, by faith I shall get her in virtue of the absurd. So this movement I am unable to make. As soon as I would begin to make it everything turns around dizzily, and I flee back to the pain of resignation. I can swim in existence, but for this mystical soaring I am too heavy. To exist in such a way that my opposition to existence is expressed as the most beautiful and a**ured harmony with it, is something I cannot do. And yet it must be glorious to get the princess, that is what I say every instant, and the knight of resignation who does not say it is a deceiver, he has not had one only wish, and he has not kept the wish young by his pain. Perhaps there was one who thought it fitting enough that the wish was no longer vivid, that the barb of pain was dulled, but such a man is no knight. A free-born soul who caught himself entertaining such thoughts would despise himself and begin over again, above all he would not permit his soul to be deceived by itself. And yet it must be glorious to get the princess, and yet the knight of faith is the only happy one, the heir apparent to the finite, whereas the knight of resignation is a stranger and a foreigner. Thus to get the princess, to live with her joyfully and happily day in and day out (for it is also conceivable that the knight of resignation might get the princess, but that his soul had discerned the impossibility of their future happiness), thus to live joyfully and happily every instant by virtue of the absurd, every instant to see the sword hanging over the head of the beloved, and yet not to find repose in the pain of resignation, but joy by virtue of the absurd–this is marvellous. He who does it is great, the only great man. The thought of it stirs my soul, which never was n***ardly in the admiration of greatness. In case then everyone in my generation who will not stop at faith is really a man who has comprehended life's horror, who has understood what Daub 38 means when he says that a soldier who stands alone at his post with a loaded gun in a stormy night beside a powder-magazine … will get strange thoughts into his head–in case then everyone who will not stop at faith is a man who had strength of soul to comprehend that the wish was an impossibility, and thereupon gave himself time to remain alone with this thought, in case everyone who will not stop at faith is a man who is reconciled in pain and is reconciled to pain, in case everyone who will not stop at faith is a man who in the next place (and if he has not done all the foregoing, there is no need of his troubling himself about faith)–in the next place did the marvellous thing, grasped the whole of existence by virtue of the absurd … then what I write is the highest eulogy of my contemporaries by one of the lowliest among them, who was able only to make the movement of resignation. But why will they not stop at faith, why does one sometimes hear that people are ashamed to acknowledge that they have faith? This I cannot comprehend. If ever I contrive to be able to make this movement, I shall in the future ride in a coach and four. If it is really true that all the Philistinism I behold in life (which I do not permit my word but my actions to condemn) is not what it seems to be–is it the miracle? That is conceivable, for the hero of faith had in fact a striking resemblance to it–for that hero of faith was not so much an ironist or a humorist, but something far higher. Much is said in our age about irony and humor, especially by people who have never been capable of engaging in the practice of these arts, but who neverthless know how to explain everything. I am not entirely unacquainted with these two pa**ions, 39 I know a little more about them than what is to be found in German and German-Danish compendiums. I know therefore that these two pa**ions are essentially different from the pa**ion of faith. Irony and humor reflect also upon themselves, and therefore belong within the sphere of the infinite resignation, their elasticity is due to the fact that the individual is incommensurable with reality. The last movement, the paradoxical movement of faith, I cannot make (be that a duty or whatever it may be), in spite of the fact that I would do it more than gladly. Whether a man has a right to make this affirmation, must be left to him, it is a question between him and the Eternal Being who is the object of faith whether in this respect he can hit upon an amicable compromise. What every man can do is to make the movement of infinite resignation, and I for my part would not hesitate to pronounce everyone cowardly who wishes to make himself believe he can not do it. With faith it is a different matter. But what every man has not a right to do, is to make others believe that faith is something lowly, or that it is an easy thing, whereas it is the greatest and the hardest. People construe the story of Abraham in another way. They extol God's grace in bestowing Isaac upon him again–the whole thing was only a trial. A trial–that word may say much or little, and yet the whole thing is over as quickly as it is said. One mounts a winged horse, the same instant one is at Mount Moriah, the same instant one sees the ram; one forgets that Abraham rode only upon an a**, which walks slowly along the road, that he had a journey of three days, that he needed some time to cleave the wood, to bind Isaac, and to sharpen the knife. And yet they extol Abraham. He who is to deliver the discourse can very well sleep till a quarter of an hour before he has to preach, the auditor can well take a nap during the discourse, for all goes smoothly, without the least trouble from any quarter. If there was a man present who suffered from insomnia, perhaps he then went home and sat in a corner and thought: "It's an affair of a moment, this whole thing; if only you wait a minute, you see the ram, and the trial is over." If the orator were to encounter him in this condition, he would, I think, confront him with all his dignity and say, "Wretched man, that thou couldst let thy soul sink into such foolishness! No miracle occurs. The whole of life is a trial." In proportion as the orator proceeds with his outpouring, he would get more and more excited, would become more and more delighted with himself, and whereas he had noticed no congestion of the blood while he talked about Abraham, he now felt how the vein swelled in his forehead. Perhaps he would have lost his breath as well as his tongue if the sinner had answered calmly and with dignity, "But it was about this you preached last Sunday." Let us then either consign Abraham to oblivion, or let us learn to be dismayed by the tremendous paradox which constitutes the significance of Abraham's life, that we may understand that our age, like every age, can be joyful if it has faith. In case Abraham is not a nullity, a phantom, a show one employs for a pastime, then the fault can never consist in the fact that the sinner wants to do likewise, but the point is to see how great a thing it was that Abraham did, in order that man may judge for himself whether he has the call and the courage to be subjected to such a test. The comic contradiction in the behavior of the orator is that he reduced Abraham to an insignificance, and yet would admonish the other to behave in the same way. Should not one dare then to talk about Abraham? I think one should. If I were to talk about him, I would first depict the pain of his trial. To that end I would like a leech s** all the dread and distress and torture out of a father's sufferings, so that I might describe what Abraham suffered, whereas all the while he nevertheless believed. I would remind the audience that the journey lasted three days and a good part of the fourth, yea, that these three and a half days were infinitely longer than the few thousand years which separate me from Abraham. Then I would remind them that, in my opinion, every man dare still turn around ere he begins such an undertaking, and every instant he can repentantly turn back. If one does this, I fear no danger, nor am I afraid of awakening in people an inclination to be tried like Abraham. But if one would dispose of a cheap edition of Abraham, and yet admonish everyone to do likewise, then it is ludicrous. It is now my intention to draw out from the story of Abraham the dialectical consequences inherent in it, expressing them in the form of problemata, in order to see what a tremendous paradox faith is, a paradox which is capable of transforming a murder into a holy act well-pleasing to God, a paradox which gives Isaac back to Abraham, which no thought can master, because faith begins precisely there where thinking leaves off. Translator's Notes 17. In Oelenschläger's play Alladin the hero is contrasted with Noureddin the representative of darkness. 18. Isaiah 26:18. 19. Themistocles, as related in Plutarch's Themistocles, 3, 3. 20. Eleven months later (with only one pseudonymous work intervening) S.K. published The Concept of Dread [=Anxiety], and this remained one his most distinctive categories. Although all have agreed to use the word "dread," no one can think it adequate as a translation of Angst. For though it denotes the presentiment of evil it does not sufficiently emphasize the anguish of the experience. 21. The connection requires a masculine pronoun, but Regina is meant, and she must have known it, for such were her words when she refused to give Kierkegaard back his freedom. 22. As Professor Martensen had claimed to do (Danske Maanedskrift, No. 16 referred to in note 2 above. Cf. I A 328, p. 130). But Sibbern too claimed for Heiberg that he "goes beyond Hegel" (the same review, No. 10, year 1838, p. 292). 23. Quoted from Horace's Letters, I, 18, 84: "It's your affair when the neighbor's house is afire." 24 The reader may need to be apprised that Johannes de silentio is in that religious stage which by Johannes Climacus in the Postscript is called "religiousness A," the basis of all religiousness, but therefore not the distinctively Christian position, which here is called "religiousness B," or the paradoxical religiousness which is characterized by faith in the strictest sense. 25. This is decidedly autobiographical. 26. S.K. attributed his spinal curvature to a fall from a tree when he was a child. 27. The reader who has not heard or has not heeded S.K.'s warning not to attribute to him personally a single word the pseudonyms say may need here to be reminded that it is not S.K. who reiterates so insistently that he cannot understand Abraham. It is Johannes de silentio who says this, and the purpose of it is to emphasize the fact that the paradoxical religiousness (religiousness B) is and remains a paradox to everyone who stands on a lower plane, even to one who has got so high as to be able to make the movement of infinite resignation, so long as his religion is in the sphere of immanence. 28. Introduced about 1840 in Copenhagen. 29. The "princess" is of course the most obvious an*logue to Regina, and one which she could not fail to discover; but every other reader may need the hint that in this whole paragraph S.K. describes his own act of resignation. 30. At the time of his engagement S.K. registered the observation that certain insects die the instant they fertilize their mate, and he repeated this in the sixth Diapsalm of Either/Or. 31. "A blissful leap into eternity." 32. Cf. what is said in Repetition about the young man who "recollects" his love as soon as he is engaged. It is quoted in my Kierkegaard, p. 212. 33. It seems clear enough that this pa**age was written after S.K. learned of Regina's engagement, and the tone of it suggests that he had had time to repent of the very different language he used when he rewrote Repetition. It is therefore an additional argument for the view that this book was written later than the other. 34. "The pre-established harmony" was a fundamental concept of Leibnitz's philosophy. 35. See Magyarische Sagen by Johan Graf Mailáth (Stuttgart u. Tübingen 1838), Vol. II, p. 18 Cf. Journal II A 449. 36. An entry in the Journal (IV A 107) dated May 17 [1843], at the time, that is, when he was composing these two works in Berlin, S.K. says: "If I had had faith, I would have remained with Regina." He was then only a knight of infinite resignation, but he was in the way of becoming a knight of faith. 37. It would have been well had I remarked earlier that the Danish words resignere and Resignation have a more active sense than we attach to the word "resignation," that they imply an act rather than a pa**ive endurance of a situation, and therefore could be translated by "renounce," "renunciation"–yet it would not do to dub our knight the knight of renunciation. 38. See Rosenkranz, Erinnerungen an Karl Daub (Berlin 1837), p. 2. Cf. Journal IV A 92. 39 S.K. liked to be called "Master of Irony" in view of the big book on The Concept of Irony by which he won his degree of Master of Arts.