Ralph Ellison - Invisible Man, The Funeral Speech lyrics

The song had ended. Now the top of the little mountain bristled with banners, horns, and uplifted faces. I could look straight down Fifth Avenue to 125th Street, where policemen were lined behind an array of hot-dog wagons and Good Humor carts; and among the carts I saw a peanut vendor standing beneath a street lamp upon which pigeons were gathered, and now I saw him stretch out his arms with his palms turned upwards, and suddenly he was covered, head, shoulders and outflung arms, with fluttering, feasting birds. Someone nudged me and I started. It was time for final words. But I had no words and I 'd never been to a Brotherhood funeral and had no idea of a ritual. But they were waiting. I stood there alone, there was no microphone to support me, only the coffin before me upon the backs of its wobbly carpenter's horses. I looked down into their sun-swept faces, digging for the words, and feeling a futility about it all and an anger. For this they gathered by the thousands. What were they waiting to hear? Why had they come? For what reason that was different from that which had the red-cheeked boy thrill at Clifton's falling to the earth? What did they want and what could they do? Why hadn't they come when they could have stopped it all? "What are you waiting for me to tell you?" I shouted suddenly, my voice strangely crisp in on the windless air. "What good will it do? What if I say that this isn't a funeral, that it's a holiday celebration, that if you stick around the band will end up playing "Damit-the-Hell the Fun's All Over'? Or do you expect to see some magic, the dead rise up and walk again? Go home, he's dead as he'll ever die. That's the end in the beginning and there's no encore. There'll be no miracles and there's no one here to preach a sermon. Go home, forget him. He's inside this box, newly dead. Go home and don't think about him. He's dead and you've got all you can do to think about you." I paused. They were whispering and looking upward. "I've told you to go home," I shouted, "but you keep standing there. Don't you know it's hot out here in the sun? So what if you wait for what little I can tell you? Can I say in twenty minutes what was building twenty-one years and ended in twenty seconds? What are you waiting for , when all I can tell you is his name? And when I tell you, what will you know that you didn't know already, except, perhaps, his name?" They were listening intently, and as though looking not at me, but at the pattern of my voice upon the air. "All right, you do the listening int eh sun and I'll try to tell you int he sun. Then you can go home and forget it. Forget it. His name was Clifton and they shot him down. His name was Clifton and he was tall and some folks thought him handsome. And though he didn't believe it, I think he was. His tight-rolled curls--or call them naps or kinks. He's dead, uninterested, and, except for a few young girls, it doesn't matter...Have you got it? Can you see him?Think of your brother, or your cousin John. His lips were thick with an upward curve at the corners. He often smiled. He had good eyes and a pair of fast hands, and he had a heart. He thought about things and he felt deeply. I won't call him noble because what's such a word to do with one of us? His name was Clifton, Tod Clifton, and, like any man, he was born of women to live awhile and fall and die. So that's his tale to the minute. His name was Clifton and for a while he lived among us and aroused a few hopes in the young manhood of man, and we who knew him loved him and he died. So why are you waiting? You've heard it all. Why wait for more, when all I do is repeat it?" They stood; they listened. They gave no sign. "Very well, so I'll tell you. His name was Clifton and he was young and he was a leader and when he fell there was a hole in the heel of his sock and when he stretched forward he seemed not as tall as when he stood. So he died; and we who loved him are gathered here to mourn him. It's as simple as that and as short as that. His name was Clifton and he was black and they shot him. Isn't that enough to tell? Isn't it all you need to know? Isn't that enough to appease your thirst for drama and send you home to sleep it off? Go take a drink and forget it. Or read it in *The Daily News*. His name was Clifton and they shot him, and I was there to see him fall. So I know it as I know it. "Here are the facts. He was standing and he fell. He fell and he kneeled. He kneeled and he bled. He bled and he died. He fell in a heap like any man and his blood spilled out like any blood; *red* as any blood, wet as any blood and reflecting the sky and the buildings and the birds and the trees, or your face if you'd look into its dulling mirror--and it dried in the sun as blood dries. That's all. They spilled his blood and he bled. They cut him down and he died; the blood flowed on the walk in a pool, gleamed a while,a nd, after a while, became dull then dusty, then dried. That's the story and that's how it ended. It's an old story and there's been too much blood to excite you. Besides, it's only important when it fills the veins of a living man. Aren't you tired of such stories? Aren't you sick of the blood? Then why listen, why don't you go? It's hot out here. There's the odor of embalming fluid. The beer is cold in the taverns, the saxophones will be mellow at the Savoy; plenty good-laughing-lies will b e told in the barber shops and beauty parlors; and there'll be sermons in two hundred churches in the cool of the evening, and plenty of laughs at the movies. Go listen to 'Amos and Andy' and forget it. Here you have only the same old story. There's not even a young wife up here in red to mourn him. There's nothing to give you that good old frightened feeling. The story's too short and too simple. His name was Clifton, Tod Clifton, and he was unarmed, and his d**h was as senseless as his life was futile. He had struggled for Brotherhood on a hundred street corners and he thought it would make him more human, but he died like any dog in a road." "All, all right," I called out, feeling desperate. It wasn't the way I wanted it to go, it wasn't political. Brother Jack probably wouldn't approve of it at all, but I had to keep going as I could go. "Listen to me standing up here on this so-called mountain!" I shouted. "Let me tell it as it truly was! His name was Tod Clifton and he was full of illusions. He thought he was a man when he was only Tod Clifton. He was shot for a simple mistake of judgement and he bled and his blood dried and shortly the crowd trampled out the stains. It was a normal mistake which any are guilty. He thought he was a man and that men were not meant to be pushed around. But it was hot downtown and he forgot his history, he forgot the time and the place. He lost his hold on reality. There was a cop and a waiting audience but he was Tod Clifton and the cops are everywhere. The cop? What about him? He was a cop. A good citizen. But this cop had an itching finger and an eager ear for a word that rhymed with 'trigger', and when Clifton fell he had found it. The Police Special spoke its lines and the rhyme was completed. Just look around you. Look at what he made, look inside you and feel his awful power. It was perfectly natural. The blood ran like blood in a comic book k**ing, on a comic-book street in a comic-book town on a comic-book day in a comic-book world. "Tod Clifton's one with the ages. But what's that to do with you in this heat under this veiled sun? Now he's part of history, and he has received his true freedom. Didn't they scribble his name on a standardized pad. His Race: colored! Religion: unknown, probably born Baptist. Place of birth: U.S. Some southern town. Next of kin: unknown. Address: unknown. Occupation: unemployed. Cause of d**h (be specific): resisting reality in the form of a .38 caliber revolver in the hands of the arresting officer, on Forty-second between the library and the subway int eh heat of the afternoon, of gunshot wounds received from three bullets, fired at three paces, one bullet entering the right ventricle of the heart, and lodging there, the other severing the spinal ganglia raveling downward to lodge in the pelvis, the other breaking through the back and traveling God knows where. "Such was the short bitter life of Brother Tod Clifton. Now he's in this box with the bolts tightening down. He's in the box and we're in there with him, and when I've told you this you can go. It's dark in this box and it's crowded. It has a cracked ceiling and a clogged-up toilet in the hall. It has rats and roaches, and it's far, far too expensive a dwelling. The air is bad and it'll be cold this winter. Tod Clifton is crowded and he needs the room. 'Tell them to get out of the box,' that's what he would say if you could hear him. 'Tell them to get out of the box and go teach the cops to forget that rhyme. Tell them to teach them when they call you *n******g* to make a rhyme with *trigger* it makes the gun backfire.' "So there you have it. In a few hours Tod Clifton will be cold bones in the ground, and don't be fooled, for these bones shall not rise again. You and I will still be int eh box. I don't know if Tod Clifton had a soul. I only know the ache that I feel in my heart, my sense of love, I don't know if you have a soul. I only know that you are men of flesh and blood, and that blood will spill and flesh grow cold. I do not know if all cops are poets, but I know that all cops carry guns with triggers. And I know too how we are labeled. So in the name of Brother Clifton beware of the triggers; go home, keep cool, stay safe away from the sun. Forget him. When he was alive there's only one thing left to tell and I've already told it. His name was Tod Clifton, he believed in Brotherhood, he aroused our hopes and he died." I couldn't go on. Below, they were waiting, hands and handkerchiefs shading their eyes. A preacher stepped up and read something out of his Bible, and I stood looking at the crowd with a sense of failure. I had let it get away from me, had been unable to bring in the political issues. And they stood there sun-beaten and sweat-bathed, listening to me repeat what was known. Now the preacher had finished, and someone signaled the bandmaster and there was solemn music as the pallbearers carried the coffin down the spiraling stairs. The crowd stood still as we walked slowly through. I could feel the bigness of it and the unknowness of it and pent-up tension--whether of tears or anger, I couldn't tell. But as we walked through the and down the hill to the hearse, I could feel it. The crowd sweated and throbbed, and though it was silent, there were many things directed toward me through its eyes. At the curb were the hearse and a few cars, and in a few minute they wee loaded and the crowd was still standing, look on as we carried Tod Clifton away. And as I took one last look I saw not a crowd but the set faces of individual men and women.