Oscar Wilde - For Love of the King (Act 1 Scene 2) lyrics

THE PAGODA OF GOLDEN FLOWERS Midnight Surrounded by Peepul-trees, the great Htee, [6] with its crown of a myriad j**els, rises towards the violet, star-studded sky, its golden bells tinkling in a soft night-wind. When the curtain rises, the circular platform is deserted. Statues of Buddha seated and recumbent fill the numberless niches in the wall, and before each burn long candles; heaped-up pink roses and japonica on bra** trays are lit from above by swinging coloured lamps. At intervals are stalls laden with fruit and cheroots. All is mysterious, solemn, beautiful. A deep Burmese gong tolls. People emerge from the four staircases that lead up to the platform. Men, women, and children, all in gala attire. The young people conversing, gesticulating, smiling. The older people, more subdued, carry beads and votive offering to Buddha. Charming Burmese girls, with huge cigars, meet and greet handsome Burmese men smoking cheroots and wearing flowers in their ears. Children play silently with coloured balls. In the corners, under canopies, are seated fortune-tellers, busy casting horoscopes. It is a veritable riot of colour, with never a discordant note. Through the crowd THE KING pa**es alone and unrecognised, and disappears through double doors of heavily carved teak wood. He has hardly pa**ed when MAH PHRU, a very lovely girl, enters in distress. She whispers that she desires an audience of THE KING who has come amongst them. The few who hear her shrug their shoulders, smile, and pa** on. They are incredulous. She goes from group to group, but the people turn from her with disdain. Then the great doors open, and THE KING is seen. The girl throws herself, Oriental fashion, in his path. Her beauty and her pathos arrest his attention and he waves aside those who would interfere. She implores THE KING's protection. She is willing to be his slave. He listens with deep attention. She explains that since her father's d**h she has been continuously persecuted by the village people on the double count of her Italian blood and her poverty. The girl invites him to come to her hut in the forest and verify what she says. With a gesture he signifies that he will follow where she leads. She rises. The crowd gathers round—all are hushed to silence. THE KING, as one entranced, puts aside all who would in any way interfere. The girl precedes him, going from the Pagoda towards the night. When she reaches the great staircase, she beckons, Oriental fashion, with downward hand. The scene should, in grouping and colour, make for rare beauty.