Edith Wharton - In Morocco (Chap. 5.3) lyrics

The Imperial Mirador As the last riders galloped up to do homage we were summoned to our motors and driven rapidly to the palace. The Sultan had sent word to Mme. Lyautey that the ladies of the Imperial harem would entertain her and her guests while his Majesty received the Resident General, and we had to hasten back in order not to miss the next act of the spectacle. We walked across a long court lined with the Black Guard, pa**ed under a gateway, and were met by a shabbily dressed negress. Traversing a hot dazzle of polychrome tiles we reached another archway guarded by the chief eunuch, a towering black with the enamelled eyes of a basalt bust. The eunuch delivered us to other negresses, and we entered a labyrinth of inner pa**ages and patios, all murmuring and dripping with water. Pa**ing down long corridors where slaves in dim greyish garments flattened themselves against the walls, we caught glimpses of great dark rooms, laundries, pantries, bakeries, kitchens, where savoury things were brewing and stewing, and where more negresses, abandoning their pots and pans, came to peep at us from the threshold. In one corner, on a bench against a wall hung with matting, grey parrots in tall cages were being fed by a slave. [Illustration: From a photograph from "France-Maroc" A clan of mountaineers and their caïd] A narrow staircase mounted to a landing where a princess out of an Arab fairy-tale awaited us. Stepping softly on her embroidered slippers she led us to the next landing, where another golden-slippered being smiled out on us, a little girl this one, blushing and dimpling under a j**elled diadem and pearl-woven braids. On a third landing a third damsel appeared, and encircled by the three graces we mounted to the tall mirador in the central tower from which we were to look down at the coming ceremony. One by one, our little guides, kicking off their golden shoes, which a slave laid neatly outside the door, led us on soft bare feet into the upper chamber of the harem. It was a large room, enclosed on all sides by a balcony glazed with panes of brightly-coloured gla**. On a gaudy modern Rabat carpet stood gilt armchairs of florid design and a table bearing a commercial bronze of the "art goods" variety. Divans with muslin-covered cushions were ranged against the walls and down an adjoining gallery-like apartment which was otherwise furnished only with clocks. The pa**ion for clocks and other mechanical contrivances is common to all unmechanical races, and every chief's palace in North Africa contains a collection of time-pieces which might be called striking if so many had not ceased to go. But those in the Sultan's harem of Rabat are remarkable for the fact that, while designed on current European models, they are proportioned in size to the Imperial dignity, so that a Dutch "grandfather" becomes a wardrobe, and the box-clock of the European mantelpiece a cupboard that has to be set on the floor. At the end of this avenue of time-pieces a European double-bed with a bright silk quilt covered with Nottingham lace stood majestically on a carpeted platform. But for the enchanting glimpses of sea and plain through the lattices of the gallery, the apartment of the Sultan's ladies falls far short of occidental ideas of elegance. But there was hardly time to think of this, for the door of the mirador was always opening to let in another fairy-tale figure, till at last we were surrounded by a dozen houris, laughing, babbling, taking us by the hand, and putting shy questions while they looked at us with caressing eyes. They were all (our interpretess whispered) the Sultan's "favourites," round-faced apricot-tinted girls in their teens, with high cheek-bones, full red lips, surprised brown eyes between curved-up Asiatic lids, and little brown hands fluttering out like birds from their brocaded sleeves. In honour of the ceremony, and of Mme. Lyautey's visit, they had put on their finest clothes, and their freedom of movement was somewhat hampered by their narrow sumptuous gowns, with over-draperies of gold and silver brocade and pale rosy gauze held in by corset-like sashes of gold tissue of Fez, and the heavy silken cords that looped their voluminous sleeves. Above their foreheads the hair was shaven like that of an Italian fourteenth-century beauty, and only a black line as narrow as a pencilled eyebrow showed through the twist of gauze fastened by a j**elled clasp above the real eye-brows. Over the forehead-j**el rose the complicated structure of the headdress. Ropes of black wool were plaited through the hair, forming, at the back, a double loop that stood out above the nape like the twin handles of a vase, the upper veiled in airy shot gauzes and fastened with j**elled bands and ornaments. On each side of the red cheeks other braids were looped over the ears hung with broad earrings of filigree set with rough pearls and emeralds, or gold loops and pendants of coral, and an unexpected tulle ruff, like that of a Watteau shepherdess, framed the round chin above a torrent of necklaces, necklaces of amber, coral, baroque pearls, hung with mysterious barbaric amulets and fetiches. As the young things moved about us on soft hennaed feet the light played on shifting gleams of gold and silver, blue and violet and apple-green, all harmonized and bemisted by clouds of pink and sky-blue, and through the changing group capered a little black picaninny in a caftan of silver-shot purple with a sash of raspberry red. But presently there was a flutter in the aviary. A fresh pair of babouches clicked on the landing, and a young girl, less brilliantly dressed and less brilliant of face than the others, came in on bare painted feet. Her movements were shy and hesitating, her large lips pale, her eye-brows less vividly dark, her head less j**elled. But all the little humming-birds gathered about her with respectful rustlings as she advanced toward us leaning on one of the young girls, and holding out her ringed hand to Mme. Lyautey's curtsey. It was the young Princess, the Sultan's legitimate daughter. She examined us with sad eyes, spoke a few compliments through the interpretess, and seated herself in silence, letting the others sparkle and chatter. Conversation with the shy Princess was flagging when one of the favourites beckoned us to the balcony. We were told we might push open the painted panes a few inches, but as we did so the bu*terfly group drew back lest they should be seen looking out on the forbidden world. Salutes were crashing out again from the direction of the msalla: puffs of smoke floated over the slopes like thistle-down. Farther off, a pall of red vapour veiled the gallop of the last horsemen wheeling away toward Rabat. The vapour subsided, and moving out of it we discerned a slow procession. First rode a detachment of the Black Guard, mounted on black horses, and, comically fierce in their British scarlet and Meccan green, a uniform invented at the beginning of the nineteenth century by a retired English army officer. After the Guard came the standard-bearers and the great dignitaries, then the Sultan, still aloof, immovable, as if rapt in the contemplation of his mystic office. More court officials followed, then the bright-gowned musicians on foot, then a confused irrepressible crowd of pilgrims, beggars, saints, mountebanks, and the other small folk of the Bazaar, ending in a line of boys jamming their naked heels into the ribs of world-weary donkeys. The Sultan rode into the court below us, and Vizier and chamberlains, snowy-white against the scarlet line of the Guards, hurried forward to kiss his draperies, his shoes, his stirrup. Descending from his velvet saddle, still entranced, he paced across the tiles between a double line of white servitors bowing to the ground. White pigeons circled over him like petals loosed from a great orchard, and he disappeared with his retinue under the shadowy arcade of the audience chamber at the back of the court. [Illustration: From a photograph from "France-Maroc" The Sultan entering Marrakech in state] At this point one of the favourites called us in from the mirador. The door had just opened to admit an elderly woman preceded by a respectful group of girls. From the newcomer's round ruddy face, her short round body, the round hands emerging from her round wrists, an inexplicable majesty emanated; and though she too was less richly arrayed than the favourites she carried her headdress of striped gauze like a crown. This impressive old lady was the Sultan's mother. As she held out her plump wrinkled hand to Mme. Lyautey and spoke a few words through the interpretess one felt that at last a painted window of the mirador had been broken, and a thought let into the vacuum of the harem. What thought, it would have taken deep insight into the processes of the Arab mind to discover; but its honesty was manifest in the old Empress's voice and smile. Here at last was a woman beyond the trivial dissimulations, the childish cunning, the idle cruelties of the harem. It was not a surprise to be told that she was her son's most trusted adviser, and the chief authority in the palace. If such a woman deceived and intrigued it would be for great purposes and for ends she believed in; the depth of her soul had air and daylight in it, and she would never willingly shut them out. The Empress Mother chatted for a while with Mme. Lyautey, asking about the Resident General's health, enquiring for news of the war, and saying, with an emotion perceptible even through the unintelligible words: "All is well with Morocco as long as all is well with France." Then she withdrew, and we were summoned again to the mirador. This time it was to see a company of officers in brilliant uniforms advancing at a trot across the plain from Rabat. At sight of the figure that headed them, so slim, erect and young on his splendid chestnut, with a pale blue tunic barred by the wide orange ribbon of the Cherifian Order, salutes pealed forth again from the slope above the palace and the Black Guard presented arms. A moment later General Lyautey and his staff were riding in at the gates below us. On the threshold of the inner court they dismounted, and moving to the other side of our balcony we followed the next stage of the ceremony. The Sultan was still seated in the audience chamber. The court officials still stood drawn up in a snow-white line against the snow-white walls. The great dignitaries advanced across the tiles to greet the General, then they fell aside, and he went forward alone, followed at a little distance by his staff. A third of the way across the court he paused, in accordance with the Moroccan court ceremonial, and bowed in the direction of the arcaded room; a few steps farther he bowed again, and a third time on the threshold of the room. Then French uniforms and Moroccan draperies closed in about him, and all vanished into the shadows of the audience hall. Our audience too seemed to be over. We had exhausted the limited small talk of the harem, had learned from the young beauties that, though they were forbidden to look on at the ceremony, the dancers and singers would come to entertain them presently, and had begun to take leave when a negress hurried in to say that his Majesty begged Mme. Lyautey and her friends to await his arrival. This was the crowning incident of our visit, and I wondered with what Byzantine ritual the Anointed One fresh from the exercise of his priestly functions would be received among his women. The door opened, and without any announcement or other preliminary flourish a fat man with a pleasant face, his djellabah stretched over a portly front, walked in holding a little boy by the hand. Such was his Majesty the Sultan Moulay Youssef, despoiled of sacramental burnouses and turban, and shuffling along on bare yellow-slippered feet with the gait of a stout elderly gentleman who has taken off his boots in the pa**age preparatory to a domestic evening. The little Prince, one of his two legitimate sons, was dressed with equal simplicity, for silken garments are worn in Morocco only by musicians, boy-dancers and other hermaphrodite fry. With his ceremonial raiment the Sultan had put off his air of superhuman majesty, and the expression of his round pale face corresponded with the plainness of his dress. The favourites fluttered about him, respectful but by no means awestruck, and the youngest began to play with the little Prince. We could well believe the report that his was the happiest harem in Morocco, as well as the only one into which a breath of the outer world ever came. Moulay Youssef greeted Mme. Lyautey with friendly simplicity, made the proper speeches to her companions, and then, with the air of the business-man who has forgotten to give an order before leaving his office, he walked up to a corner of the room, and while the flower-maidens ruffled about him, and through the windows we saw the last participants in the mystic rites galloping away toward the crenellated walls of Rabat, his Majesty the Priest and Emperor of the Faithful unhooked a small instrument from the wall and applied his sacred lips to the telephone.