| A Channel Pa**age |
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| A Memory (From a sonnet-sequence) |
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| Addendum |
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| Ante Aram |
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| Appendix |
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| Beauty and Beauty |
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| Blue Evening |
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| Choriambics — I |
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| Choriambics — II |
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| Clouds |
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| Dawn |
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| Day and Night |
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| Day That I Have Loved |
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| Dead Men's Love |
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| Dining-Room Tea |
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| Doubts |
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| Dust |
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| Fafaia |
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| Failure |
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| Finding |
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| Flight |
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| Fragment |
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| Fragment on Painters |
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| Hauntings |
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| He Wonders Whether to Praise or to Blame Her |
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| Heaven |
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| Home |
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| I. Peace |
1914
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| II. Safety |
1914
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| III. The Dead |
1914
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| In Examination |
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| In Memory of Rupert Brooke |
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| IV. The Dead |
1914
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| Jealousy |
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| Kindliness |
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| Libido |
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| Love |
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| Mary and Gabriel |
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| Menelaus and Helen |
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| Mummia |
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| Mutability |
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| On the d**h of Smet-Smet, the Hippopotamus-Goddess |
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| Paralysis |
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| Pine-Trees and the Sky: Evening |
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| Retrospect |
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| Rupert Brooke |
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| Rupert Brooke: A Biographical Note |
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| Seaside |
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| Second Best |
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| Sleeping Out: Full Moon |
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| Song |
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| Sonnet: "I said I splendidly loved you; it's not true" |
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| Sonnet: "Oh! d**h will find me, long before I tire" |
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| Success |
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| The Beginning |
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| The Busy Heart |
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| The Call |
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| The Charm |
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| The Chilterns |
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| The Fish |
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| The Funeral of Youth: Threnody |
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| The Goddess in the Wood |
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| The Great Lover |
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| The Hill |
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| The Jolly Company |
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| The Life Beyond |
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| The Night Journey |
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| The Old Vicarage, Grantchester |
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| The One Before the Last |
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| The soldier (Cla** annotation) |
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| The Soldier (y09) |
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| The Song of the Beasts |
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| The Song of the Pilgrims |
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| The Treasure |
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| The True Beatitude (Bouts-Rimes) |
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| The Vision of the Archangels |
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| The Voice |
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| The Way That Lovers Use |
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| The Wayfarers |
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| There's Wisdom in Women |
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| Thoughts on the Shape of the Human Body |
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| Tiare Tahiti |
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| To Rupert Brooke |
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| Town and Country |
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| Unfortunate |
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| V. The Soldier |
1914
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| Wagner |
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| Waikiki |
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