"OH, of course they're not show ghosts—a collector wouldn't think anything of them ... Don't let me raise your hopes ... their one merit is their numerical strength: the exceptional fact of their being two. But, as against this, I'm bound to admit that at any moment I could probably have exorcised them both by asking my doctor for a prescription, or my oculist for a pair of spectacles. Only, as I never could make up my mind whether to go to the doctor or the oculist—whether I was afflicted by an optical or a digestive delusion—I left them to pursue their interesting double life, though at times they made mine exceedingly comfortable ...
"Yes—uncomfortable; and you know how I hate to be uncomfortable! But it was part of my stupid pride, when the thing began, not to admit that I could be disturbed by the trifling matter of seeing two—
"And then I'd no reason, really, to suppose I was ill. As far as I knew I was simply bored—horribly bored. But it was part of my boredom—I remember—that I was feeling so uncommonly well, and didn't know how on earth to work off my surplus energy. I had come back from a long journey—down in South America and Mexico—and had settled down for the winter near New York, with an old aunt who had known Washington Irving and corresponded with N. P. Willis. She lived, not far from Irvington, in a damp Gothic villa, overhung by Norway spruces, and looking exactly like a memorial emblem done in hair. Her personal appearance was in keeping with this image, and her own hair—of which there was little left—might have been sacrificed to the manufacture of the emblem.
"I had just reached the end of an agitated year, with considerable arrears to make up in money and emotion; and theoretically it seemed as though my aunt's mild hospitality would be as beneficial to my nerves as to my purse. But the deuce of it was that as soon as I felt myself safe and sheltered my energy began to revive; and how was I to work it off inside of a memorial emblem? I had, at that time, the agreeable illusion that sustained intellectual effort could engage a man's whole activity; and I decided to write a great book—I forget about what. My aunt, impressed by my plan, gave up to me her Gothic library, filled with cla**ics in black cloth and daguerrotypes of faded celebrities; and I sat down at my desk to make myself a place among their number. And to facilitate my task she lent me a cousin to copy my man*script.
"The cousin was a nice girl, and I had an idea that a nice girl was just what I needed to restore my faith in human nature, and principally in myself. She was neither beautiful nor intelligent—poor Alice Nowell!—but it interested me to see any woman content to be so uninteresting, and I wanted to find out the secret of her content. In doing this I handled it rather rashly, and put it out of joint—oh, just for a moment! There's no fatuity in telling you this, for the poor girl had never seen any one but cousins ...
"Well, I was sorry for what I'd done, of course, and confoundedly bothered as to how I should put it straight. She was staying in the house, and one evening, after my aunt had gone to bed, she came down to the library to fetch a book she'd mislaid, like any artless h**ne on the shelves behind us. She was pink-nosed and flustered, and it suddenly occurred to me that her hair, though it was fairly thick and pretty, would look exactly like my aunt's when she grew older. I was glad I had noticed this, for it made it easier for me to do what was right; and when I had found the book she hadn't lost I told her I was leaving for Europe that week.
"Europe was terribly far off in those days, and Alice knew at once what I meant. She didn't take it in the least as I'd expected—it would have been easier if she had. She held her book very tight, and turned away a moment to wind up the lamp on my desk—it had a ground gla** shade with vine leaves, and gla** drops around the edge, I remember. Then she came back, held out her hand, and said: 'Good-bye.' And as she said it she looked straight at me and kissed me. I had never felt anything as fresh and shy and brave as her kiss. It was worse than any reproach, and it made me ashamed to deserve a reproach from her. I said to myself: 'I'll marry her, and when my aunt dies she'll leave us this house, and I'll sit here at the desk and go on with my book; and Alice will sit over there with her embroidery and look at me as she's looking now. And life will go on like that for any number of years.' The prospect frightened me a little, but at the time it didn't frighten me as much as doing anything to hurt her; and ten minutes later she had my seal ring on my finger, and my promise that when I went abroad she should go with me.
"You'll wonder why I'm enlarging on this familiar incident. It's because the evening on which it took place was the very evening on which I first saw the queer sight I've spoken of. Being at that time an ardent believer in a necessary sequence between cause and effect I naturally tried to trace some kind of link between what had just happened to me in my aunt's library, and what was to happen a few hours later on the same night; and so the coincidence between the two events always remained in my mind.
"I went up to bed with rather a heavy heart, for I was bowed under the weight of the first good action I had ever consciously committed; and young as I was, I saw the gravity of my situation. Don't imagine from this that I had hitherto been an instrument of destruction. I had been merely a harmless young man, who had followed his bent and declined all collaboration with Providence. Now I had suddenly undertaken to promote the moral order of the world, and I felt a good deal like the trustful spectator who has given his gold watch to the conjurer, and doesn't know in what shape he'll get it back when the trick is over ... Still, a glow of self-righteousness tempered my fears, and I said to myself as I undressed that when I'd got used to being good it probably wouldn't make me as nervous as it did at the start. And by the time I was in bed, and had blown out my candle, I felt that I really was getting used to it, and that, as far as I'd got, it was not unlike sinking down into one of my aunt's very softest wool mattresses.
"I closed my eyes on this image, and when I opened them it must have been a good deal later, for my room had grown cold, and the night was intensely still. I was waked suddenly by the feeling we all know—the feeling that there was something near me that hadn't been there when I fell asleep. I sat up and strained my eyes into the darkness. The room was pitch black, and at first I saw nothing; but gradually a vague glimmer at the foot of the bed turned into two eyes staring back at me. I couldn't see the face attached to them—on account of the darkness, I imagined—but as I looked the eyes grew more and more distinct: they gave out a light of their own.
"The sensation of being thus gazed at was far from pleasant, and you might suppose that my first impulse would have been to jump out of bed and hurl myself on the invisible figure attached to the eyes. But it wasn't—my impulse was simply to lie still ... I can't say whether this was due to an immediate sense of the uncanny nature of the apparition—to the certainty that if I did jump out of bed I should hurl myself on nothing—or merely to the benumbing effect of the eyes themselves. They were the very worst eyes I've ever seen: a man's eyes—but what a man! My first thought was that he must be frightfully old. The orbits were sunk, and the thick red-lined lids hung over the eyeballs like blinds of which the cords are broken. One lid drooped a little lower than the other, with the effect of a crooked leer; and between these pulpy folds of flesh, with their scant bristle of lashes, the eyes themselves, small gla**y disks with an agate-like rim about the pupils, looked like sea-pebbles in the grip of a starfish.
"But the age of the eyes was not the most unpleasant thing about them. What turned me sick was their expression of vicious security. I don't know how else to describe the fact that they seemed to belong to a man who had done a lot of harm in his life, but had always kept just inside the danger lines. They were not the eyes of a coward, but of some one much too clever to take risks; and my gorge rose at their look of base astuteness. Yet even that wasn't the worst; for as we continued to scan each other I saw in them a tinge of faint derision, and felt myself to be its object.
"At that I was seized by an impulse of rage that jerked me out of bed and pitched me straight on the unseen figure at its foot. But of course there wasn't any figure there, and my fists struck at emptiness. Ashamed and cold, I groped about for a match and lit the candles. The room looked just as usual—as I had known it would; and I crawled back to bed, and blew out the lights.
"As soon as the room was dark again the eyes reappeared; and I now applied myself to explaining them on scientific principles. At first I thought the illusion might have been caused by the glow of the last embers in the chimney; but the fire-place was on the other side of my bed, and so placed that the fire could not possibly be reflected in my toilet gla**, which was the only mirror in the room. Then it occurred to me that I might have been tricked by the reflection of the embers in some polished bit of wood or metal; and though I couldn't discover any object of the sort in my line of vision, I got up again, groped my way to the hearth, and covered what was left of the fire. But as soon as I was back in bed the eyes were back at its foot.
"They were an hallucination, then: that was plain. But the fact that they were not due to any external dupery didn't make them a bit pleasanter to see. For if they were a projection of my inner consciousness, what the deuce was the matter with that organ? I had gone deeply enough into the mystery of morbid pathological states to picture the conditions under which an exploring mind might lay itself open to such a midnight admonition; but I couldn't fit it to my present case. I had never felt more normal, mentally and physically; and the only unusual fact in my situation—that of having a**ured the happiness of an amiable girl—did not seem of a kind to summon unclean spirits about my pillow. But there were the eyes still looking at me ...
"I shut mine, and tried to evoke a vision of Alice Nowell's. They were not remarkable eyes, but they were as wholesome as fresh water, and if she had had more imagination—or longer lashes—their expression might have been interesting. As it was, they did not prove very efficacious, and in a few moments I perceived that they had mysteriously changed into the eyes at the foot of the bed. It exasperated me more to feel these glaring at me through my shut lids than to see them, and I opened my eyes again and looked straight into their hateful stare ...
"And so it went on all night. I can't tell you what that night was, nor how long it lasted. Have you ever lain in bed, hopelessly wide awake, and tried to keep your eyes shut, knowing that if you opened 'em you'd see something you dreaded and loathed? It sounds easy, but it's devilish hard. Those eyes hung there and drew me. I had the vertige de l'abime, and their red lids were the edge of my abyss. ... I had known nervous hours before: hours when I'd felt the wind of danger in my neck; but never this kind of strain. It wasn't that the eyes were so awful; they hadn't the majesty of the powers of darkness. But they had—how shall I say?—a physical effect that was the equivalent of a bad smell: their look left a smear like a snail's. And I didn't see what business they had with me, anyhow—and I stared and stared, trying to find out ...
"I don't know what effect they were trying to produce; but the effect they did produce was that of making me pack my portmanteau and bolt to town early the next morning. I left a note for my aunt, explaining that I was ill and had gone to see my doctor; and as a matter of fact I did feel uncommonly ill—the night seemed to have pumped all the blood out of me. But when I reached town I didn't go to the doctor's. I went to a friend's rooms, and threw myself on a bed, and slept for ten heavenly hours. When I woke it was the middle of the night, and I turned cold at the thought of what might be waiting for me. I sat up, shaking, and stared into the darkness; but there wasn't a break in its blessed surface, and when I saw that the eyes were not there I dropped back into another long sleep.
"I had left no word for Alice when I fled, because I meant to go back the next morning. But the next morning I was too exhausted to stir. As the day went on the exhaustion increased, instead of wearing off like the la**itude left by an ordinary night of insomnia: the effect of the eyes seemed to be cumulative, and the thought of seeing them again grew intolerable. For two days I struggled with my dread; but on the third evening I pulled myself together and decided to go back the next morning. I felt a good deal happier as soon as I'd decided, for I knew that my abrupt disappearance, and the strangeness of my not writing, must have been very painful for poor Alice. That night I went to bed with an easy mind, and fell asleep at once; but in the middle of the night I woke, and there were the eyes ...
"Well, I simply couldn't face them; and instead of going back to my aunt's I bundled a few things into a trunk and jumped onto the first steamer for England. I was so dead tired when I got on board that I crawled straight into my berth, and slept most of the way over; and I can't tell you the bliss it was to wake from those long stretches of dreamless sleep and look fearlessly into the darkness, knowing that I shouldn't see the eyes ...
"I stayed abroad for a year, and then I stayed for another; and during that time I never had a glimpse of them. That was enough reason for prolonging my stay if I'd been on a desert island. Another was, of course, that I had perfectly come to see, on the voyage over, the folly, complete impossibility, of my marrying Alice Nowell. The fact that I had been so slow in making this discovery annoyed me, and made me want to avoid explanations. The bliss of escaping at one stroke from the eyes, and from this other embarra**ment, gave my freedom an extraordinary zest; and the longer I savoured it the better I liked its taste.
"The eyes had burned such a hole in my consciousness that for a long time I went on puzzling over the nature of the apparition, and wondering nervously if it would ever come back. But as time pa**ed I lost this dread, and retained only the precision of the image. Then that faded in its turn.
"The second year found me settled in Rome, where I was planning, I believe, to write another great book—a definitive work on Etruscan influences in Italian art. At any rate, I'd found some pretext of the kind for taking a sunny apartment in the Piazza di Spagna and dabbling about indefinitely in the Forum; and there, one morning, a charming youth came to me. As he stood there in the warm light, slender and smooth and hyacinthine, he might have stepped from a ruined altar—one to Antinous, say—but he'd come instead from New York, with a letter (of all people) from Alice Nowell. The letter—the first I'd had from her since our break—was simply a line introducing her young cousin, Gilbert Noyes, and appealing to me to befriend him. It appeared, poor lad, that he 'had talent,' and 'wanted to write'; and, an obdurate family having insisted that his calligraphy should take the form of double entry, Alice had intervened to win him six months' respite, during which he was to travel on a meagre pittance, and somehow prove his ultimate ability to increase it by his pen. The quaint conditions of the test struck me first: it seemed about as conclusive as a mediaeval 'ordeal.' Then I was touched by her having sent him to me. I had always wanted to do her some service, to justify myself in my own eyes rather than hers; and here was a beautiful embodiment of my chance.
"Well, I imagine it's safe to lay down the general principle that predestined geniuses don't, as a rule, appear before one in the spring sunshine of the Forum looking like one of its banished gods. At any rate, poor Noyes wasn't a predestined genius. But he was beautiful to see, and charming as a comrade too. It was only when he began to talk literature that my heart failed me. I knew all the symptoms so well—the things he had 'in him,' and the things outside him that impinged! There's the real test, after all. It was always—punctually, inevitably, with the inexorableness of a mechanical law—it was always the wrong thing that struck him. I grew to find a certain grim fascination in deciding in advance exactly which wrong thing he'd select; and I acquired an astonishing sk** at the game ...
"The worst of it was that his betise wasn't of the too obvious sort. Ladies who met him at picnics thought him intellectual; and even at dinners he pa**ed for clever. I, who had him under the microscope, fancied now and then that he might develop some kind of a slim talent, something that he could make 'do' and be happy on; and wasn't that, after all, what I was concerned with? He was so charming—he continued to be so charming—that he called forth all my charity in support of this argument; and for the first few months I really believed there was a chance for him ...
"Those months were delightful. Noyes was constantly with me, and the more I saw of him the better I liked him. His stupidity was a natural grace—it was as beautiful, really, as his eye-lashes. And he was so gay, so affectionate, and so happy with me, that telling him the truth would have been about as pleasant as slitting the throat of some artless animal. At first I used to wonder what had put into that radiant head the detestable delusion that it held a brain. Then I began to see that it was simply protective mimicry—an instinctive ruse to get away from family life and an office desk. Not that Gilbert didn't—dear lad!—believe in himself. There wasn't a trace of hypocrisy in his composition. He was sure that his 'call' was irresistible, while to me it was the saving grace of his situation that it wasn't, and that a little money, a little leisure, a little pleasure would have turned him into an inoffensive idler. Unluckily, however, there was no hope of money, and with the grim alternative of the office desk before him he couldn't postpone his attempt at literature. The stuff he turned out was deplorable, and I see now that I knew it from the first. Still, the absurdity of deciding a man's whole future on a first trial seemed to justify me in withholding my verdict, and perhaps even in encouraging him a little, on the ground that the human plant generally needs warmth to flower.
"At any rate, I proceeded on that principle, and carried it to the point of getting his term of probation extended. When I left Rome he went with me, and we idled away a delicious summer between Capri and Venice. I said to myself: 'If he has anything in him, it will come out now; and it did. He was never more enchanting and enchanted. There were moments of our pilgrimage when beauty born of murmuring sound seemed actually to pa** into his face—but only to issue forth in a shallow flood of the palest ink ...
"Well the time came to turn off the tap; and I knew there was no hand but mine to do it. We were back in Rome, and I had taken him to stay with me, not wanting him to be alone in his dismal pension when he had to face the necessity of renouncing his ambition. I hadn't, of course, relied solely on my own judgment in deciding to advise him to drop literature. I had sent his stuff to various people—editors and critics—and they had always sent it back with the same chilling lack of comment. Really there was nothing on earth to say about it—
"I confess I never felt more shabbily than I did on the day when I decided to have it out with Gilbert. It was well enough to tell myself that it was my duty to knock the poor boy's hopes into splinters—but I'd like to know what act of gratuitous cruelty hasn't been justified on that plea? I've always shrunk from usurping the functions of Providence, and when I have to exercise them I decidedly prefer that it shouldn't be on an errand of destruction. Besides, in the last issue, who was I to decide, even after a year's trial, if poor Gilbert had it in him or not?
"The more I looked at the part I'd resolved to play, the less I liked it; and I liked it still less when Gilbert sat opposite me, with his head thrown back in the lamplight, just as Phil's is now ... I'd been going over his last man*script, and he knew it, and he knew that his future hung on my verdict—we'd tacitly agreed to that. The man*script lay between us, on my table—a novel, his first novel, if you please!—and he reached over and laid his hand on it, and looked up at me with all his life in the look.
"I stood up and cleared my throat, trying to keep my eyes away from his face and on the man*script.
"'The fact is, my dear Gilbert,' I began—
"I saw him turn pale, but he was up and facing me in an instant.
"'Oh, look here, don't take on so, my dear fellow! I'm not so awfully cut up as all that!' His hands were on my shoulders, and he was laughing down on me from his full height, with a kind of mortally-stricken gaiety that drove the knife into my side.
"He was too beautifully brave for me to keep up any humbug about my duty. And it came over me suddenly how I should hurt others in hurting him: myself first, since sending him home meant losing him; but more particularly poor Alice Nowell, to whom I had so uneasily longed to prove my good faith and my immense desire to serve her. It really seemed like failing her twice to fail Gilbert—
"But my intuition was like one of those lightning flashes that encircle the whole horizon, and in the same instant I saw what I might be letting myself in for if I didn't tell the truth. I said to myself: 'I shall have him for life'—and I'd never yet seen any one, man or woman, whom I was quite sure of wanting on those terms. Well, this impulse of egotism decided me. I was ashamed of it, and to get away from it I took a leap that landed me straight in Gilbert's arms.
"'The thing's all right, and you're all wrong!' I shouted up at him; and as he hugged me, and I laughed and shook in his incredulous clutch, I had for a minute the sense of self-complacency that is supposed to attend the footsteps of the just. Hang it all, making people happy has its charms—
"Gilbert, of course, was for celebrating his emancipation in some spectacular manner; but I sent him away alone to explode his emotions, and went to bed to sleep off mine. As I undressed I began to wonder what their after-taste would be—so many of the finest don't keep! Still, I wasn't sorry, and I meant to empty the bottle, even if it did turn a trifle flat.
"After I got into bed I lay for a long time smiling at the memory of his eyes—his blissful eyes... Then I fell asleep, and when I woke the room was d**hly cold, and I sat up with a jerk—and there were the other eyes ...
"It was three years since I'd seen them, but I'd thought of them so often that I fancied they could never take me unawares again. Now, with their red sneer on me, I knew that I had never really believed they would come back, and that I was as defenceless as ever against them ... As before, it was the insane irrelevance of their coming that made it so horrible. What the deuce were they after, to leap out at me at such a time? I had lived more or less carelessly in the years since I'd seen them, though my worst indiscretions were not dark enough to invite the searchings of their infernal glare; but at this particular moment I was really in what might have been called a state of grace; and I can't tell you how the fact added to their horror ...
"But it's not enough to say they were as bad as before: they were worse. Worse by just so much as I'd learned of life in the interval; by all the damnable implications my wider experience read into them. I saw now what I hadn't seen before: that they were eyes which had grown hideous gradually, which had built up their baseness coral-wise, bit by bit, out of a series of small turpitudes slowly accumulated through the industrious years. Yes—it came to me that what made them so bad was that they'd grown bad so slowly ...
"There they hung in the darkness, their swollen lids dropped across the little watery bulbs rolling loose in the orbits, and the puff of fat flesh making a muddy shadow underneath—and as their filmy stare moved with my movements, there came over me a sense of their tacit complicity, of a deep hidden understanding between us that was worse than the first shock of their strangeness. Not that I understood them; but that they made it so clear that some day I should ... Yes, that was the worst part of it, decidedly; and it was the feeling that became stronger each time they came back to me ...
"For they got into the damnable habit of coming back. They reminded me of vampires with a taste for young flesh, they seemed so to gloat over the taste of a good conscience. Every night for a month they came to claim their morsel of mine: since I'd made Gilbert happy they simply wouldn't loosen their fangs. The coincidence almost made me hate him, poor lad, fortuitous as I felt it to be. I puzzled over it a good deal, but couldn't find any hint of an explanation except in the chance of his a**ociation with Alice Nowell. But then the eyes had let up on me the moment I had abandoned her, so they could hardly be the emissaries of a woman scorned, even if one could have pictured poor Alice charging such spirits to avenge her. That set me thinking, and I began to wonder if they would let up on me if I abandoned Gilbert. The temptation was insidious, and I had to stiffen myself against it; but really, dear boy! he was too charming to be sacrificed to such demons. And so, after all, I never found out what they wanted ..."